untitled 8m00s 11m30s mastered
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Journal
Page 3 of 12Untitled 51 — 0-Ctrl / XPO / Multigrain
Two excerpts from a practice session. 0-Ctrl sequencing XPO into Multigrain. Untitled 51, 2:00–4:00. Untitled 51, 7:00–end. 0-Ctrl driving XPO — pitch and pressure from the…
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untitled 51 7m00s end SC
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Untitled 44 — Maths / XPO / QPAS
Three takes from a practice session. Maths in bouncing ball mode driving XPO, filtered through QPAS, recorded live into Morphagene, Erbe-Verb for reverb. Ultra-Kick as kick.…
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untitled 43 0m00s 2m40s SC
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untitled 45 0m00s 3m30s SC
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Untitled 39 & 40 — DPO / ModDemix
Two excerpts exploring DPO sine wave crossfading through ModDemix into QPAS and Mimeophon. Untitled 40, 0:00–1:05. Untitled 39, 1:40–2:40. Both oscillators running sine waves…
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untitled 39 1m40s 2m40s SC
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PoliMaths Practice
Modules: Multimod, Polimaths, Tiny Rise and Fall, DPO, QPAS, QXG, XPO, Spectraphon, Morphagene, Bruxa, Ableton Live + Meld Multimod runs as master clock in Red shape mode. It…
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untitled 40 0m00s 2m45s SC
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What Contact Improvisation Taught Me About Onkyō
In modular synthesis, it's easy to develop the habit of constantly turning knobs. A sound appears. Adjust something. Another modulation. Another voice. Another effect. But…
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Onkyō (音響) is a Japanese experimental music movement that emerged in Tokyo in the late 1990s. It centers on extreme restraint — near-silence, micro-sounds, extended pauses,…
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