Recordings

Eliad Wagner

I came across Eliad Wagner's solo set at the Goethe-Institut Boston, recorded on January 16, 2026 and presented by Non-Event, and fell into the research hole. Wagner is an…

Beat Works #1

Two excerpts. Untitled 31, 0:00–0:36. Untitled 30, 0:00–1:05.

Ben Vida

Ben Vida is a New York composer and sound artist who came up through Chicago's experimental scene with the group Town & Country. Around 2010 he moved from acoustic…

The NBA as a Hungarian

Ambient Works #19

Mastered excerpt from Untitled 19, 0:00–0:35.

Ambient Works #14

Mastered excerpt from Untitled 14, 0:00–2:40.

Ambient Works #1

Mastered excerpt from Untitled, 8:00–11:30.

Live Set Prep — Travel Rack

Live set prep with the travel rack.

Untitled 51 — 0-Ctrl / XPO / Multigrain

Two excerpts from a practice session. 0-Ctrl sequencing XPO into Multigrain. Untitled 51, 2:00–4:00. Untitled 51, 7:00–end. 0-Ctrl driving XPO — pitch and pressure from the…

Untitled 44 — Maths / XPO / QPAS

Three takes from a practice session. Maths in bouncing ball mode driving XPO, filtered through QPAS, recorded live into Morphagene, Erbe-Verb for reverb. Ultra-Kick as kick.…

Untitled 39 & 40 — DPO / ModDemix

Two excerpts exploring DPO sine wave crossfading through ModDemix into QPAS and Mimeophon. Untitled 40, 0:00–1:05. Untitled 39, 1:40–2:40. Both oscillators running sine waves…

PoliMaths Practice

Modules: Multimod, Polimaths, Tiny Rise and Fall, DPO, QPAS, QXG, XPO, Spectraphon, Morphagene, Bruxa, Ableton Live + Meld Multimod runs as master clock in Red shape mode. It…

Onkyō

Onkyō (音響) is a Japanese experimental music movement that emerged in Tokyo in the late 1990s. It centers on extreme restraint — near-silence, micro-sounds, extended pauses,…

Maria Teriaeva

Discovered her through Patch & Tweak. "I just left myself play with what I want and trust my taste." Three pieces, three completely different approaches — but the same…

Make Noise PoliMATHS

Practice Session - Bouncing Ball

Polimaths drums experiments #1

Multimod provides the clock for Polimaths.

Practice Session - Bouncing Ball

Inspiration

Practice session

Practice

We sequenced XPO via Rene 2

Bouncing Ball Practice

Bouncing ball patch on Maths Goes into Ultrakick Its duck goes into Bruxa to filter the audio of DPO Ultrakick also goes into Multimod

Drum Experiment

This reads as a layered percussion experiment rather than a single drum voice. Ultra-Kick suggests a dedicated kick path with envelope, pitch, and decay shaping. Ultra-Perc…

05_09_2026_2m-2m30

05_09_2026_30s

Walking Into Furniture

Carrying a Cactus

Improvisation for Stress Take

Just Below Under

Monday Sunset

Practice Session

Retake of my live set from 03/29.

Spiral Studies

Practice Session

Practice Session

Practice Session

Practice Session

BPM 85, the slowest session yet Dynamic complexity: 3.86 — wide volume swings, especially the quiet middle and loud return Spectral flatness consistently low (0.01-0.02) —…

Practice Session

BPM 110, moderate pulse Dynamic complexity: 4.75 — the most dynamic session of the day by a wide margin Dissonance stays high throughout (0.40-0.45) — harmonically dense,…

Practice Session

BPM 104, slower pulse than earlier sessions Dynamic complexity: 3.71 — the most dynamic session of the day, wide loud/quiet swings Spectral flatness low (0.03) — tonal…

Practice Session

BPM 135, pulse-driven from 0-CTRL Dissonance builds through the middle (0.34 → 0.47) then drops back — tension and release arc Spectral flatness stays low (0.035) — tonal…

Patch Notes

BPM 140, 0-CTRL driving the rhythm Dynamic complexity: 2.11 — moderate, with clear loud/quiet sections Spectral flatness low (0.03) — tonal throughout 6:30 session with a…

Practice Session

Practice Session

Practice Session

Practice Session

Using Pachinko (Marbles clone) as a clock. Topic from a session with Matthew.

Practice Session

XPO Exploration

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Composition practice, a 3 minute piece with 3 parts, intro, peak and outro.

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session with Hydra

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session

Practice Session